<span class="mw-page-title-main">夕</span>

Humanoid Author:Huanxiang Heitu^[2] Sui Fragment
Basic Information
Codename	Dusk Dusk シー
Aliases	Mr. Zhusan^[3]、？？？^[4]、Xiao Mo Tou、~~Dusk Melon~~
Gender	Female
Hair Color	Black hair
Eye color	Red eyes
Height	162cm
Birthday	November 11
Race	Undisclosed"Feranmut"
Occupation	Caster
Moe points	Artist、Chinese Sword、Younger Sister、Older Sister、Horns、Tattoo、long straight black hair、Pointed Ears、Short boots、Poker face、Kuudere、Sharp-tongued、suffered a setback、Hidden big breasts、Wu Chinese、Immortality、Timidity、~~Hikikomori~~、Reality Warping High heels、Cheongsam、Picking feet^[5](Dyeing the Dust)
Operator ID	NM02
Region of Origin	Yan
Affiliations	the Sui
Character EP	"Through the Billows"
Related People
Older brother:Chongyue、Wang、Ji、Yi、Fang Sister:that、Jun、Jie、Shu、Nian Younger brothers:Yu Creations:"Free-to-Be"

Skills Default display skill levelLevel 7data. Use the buttons below to select different skill levels.
Level 1Level 1Level 2Level 2Level 3Level 3Level 4Level 4Level 5Level 5Level 6Level 6Level 7Level 7Mastery 1Mastery 1Mastery 2Mastery 2Mastery 3Mastery 3
Ink-Wash Mastery Auto Recovery Auto Trigger SP Cost 7777776665 Splash range of the next attackexpands^[7], dealing Arts damage equal to150%160%170%180%190%200%210%220%235%250%as Arts damage Can be charged1112222333times Mastery 1 8 7 4 Mastery 2 12 4 9 Mastery 3 15 4 6 Splashing Ink Auto Recovery Manual Trigger Duration 16161617171718181920seconds Default 10101015151515202525 SP Cost 50494847464544424038 Attack Rangeexpands, ATK+20%+23%+26%+29%+32%+35%+40%+45%+50%+55%, ASPD+20+23+26+29+32+35+40+45+50+55, all enemies within Attack Range, and Arts damage dealt to enemies with less than half HP is increased to115%115%115%120%120%120%125%130%130%130% During skill duration, Attack Range becomes： Mastery 1 8 11 4 Mastery 2 12 3 5 Mastery 3 15 6 4 Image of Form Auto Recovery Manual Trigger Duration 60 seconds Default 45454550505055606570 SP Cost 110109108107106105104103102100 Attack Intervalexpands (+40%) , prioritizes unblocked enemies; attack range and splash areaexpands^[8], ATK+40%+50%+60%+70%+80%+90%+100%+110%+115%+120%, summons/refreshes at the target's location (deployable ground tile) upon each attack^[9]One"Freelini"(lasts 25 seconds) During skill duration, Attack Range becomes： Mastery 1 8 5 4 Mastery 2 12 4 8 Mastery 3 15 6 6
Required Materials
Skill Level 1→2: 5 Skill Level 2→3: 5 4 4 Skill Level 3→4: 8 7
	Promotion Materials: 30,000 5 6 3
Skill Level 4→5: 8 4 4 Skill Level 5→6: 8 5 Skill Level 6→7: 8 3 5
	Promotion Materials: 18w 4 6 4
Infrastructure
	"Not Pleased by External Gains" (Initial) When assigned to the Control Center, Morale recovery per hour of all operators in the Control Center increases by+0.05; when own Morale is12or below,Worldly Plight^[10]+15
	"Not Saddened by Personal Losses" (Initial) When assigned to the Control Center, Morale consumption per hour+0.5; when own Morale is greater than12,Perception Information^[11]+10

Recruitment Contract		The master painter who comes on a whim, Dusk, is only responsible for the finishing touches of all endeavors. Muster up the courage to talk to her before she loses interest!
Token		Used to improve Dusk's Potential. A seemingly ordinary brush. Dusk's brush can create all things, and can even create more brushes; be careful when using it.

Personnel Files
Basic Files
[Code Name] Dusk [Gender] Female [Combat Experience] Undisclosed [Place of Birth] Yan [Birthday] November 11 [Race] Undisclosed [Height] 162cm [Oripathy Infection Status] According to medical test reports, confirmed as non-infected.
Comprehensive Physical Examination
[Physical Strength] Normal [Tactical Mobility] Normal [Physiological Endurance] Normal [Tactical Planning] Standard [Tactical Acumen] Normal [Originium Arts Assimilation] Flawed
Clinical Analysis
Dusk, a painter from Yan, currently unemployed. Under the active efforts of resident operator Nian, she was coerced into coming to Rhodes Island as a visitor. She is skilled in painting, especially traditional Yan paintings. She currently resides within the wall of a remote corridor on Rhodes Island.
Clinical Diagnosis and Analysis
Imaging tests show clear outlines of the operator's internal organs with no abnormal shadows. No Originium particles were detected in the circulatory system, and there are no signs of Oripathy infection. At this stage, she is confirmed to be uninfected. [Cell-Originium Fusion Rate] 0% [Blood Originium-Crystal Density] 0.00 u/L [Access Record] What, she actually took the physical exam? Oh, is she really that compliant? I thought anyone Nian brought in would be just like her. Well, no need for Gavial to step in this time; let her focus on preparing for round two with Nian. Following Nian's suggestion, we arranged tests at the level of a normal operator. The entire process repeatedly made the examiners think, "Quick, call a Medic!" and it was halted midway. Looking at Nian's gloating face, she must have known this would happen, right? But Dusk truly lacks exercise. Whatever, she doesn't need a salary anyway, so why do I care... Oh, as for the diagnosis, unsurprisingly, it matches the existing records; she is also completely "unrelated" to Originium. No extra funding will be allocated. If we can't make ends meet, stop researching strange idlers, okay?! —Closure
Archive File I
She made a door in the corridor. And then you could actually walk through that door... We rarely see Dusk come out, either. Dusk frankly admitted to the Human Resources operators that she has absolutely no desire to go out or work. Of course, she doesn't consume Rhodes Island's resources, but the fact that there's a Yan-style door in the corridor with a mysterious person living inside is quite a headache for the HR operators. Although Dusk declines visitors, she says she still paints on a whim. Some operators claim to have seen those paintings and then go on rambling about how they've never seen anything so beautiful. Saga, however, told me in secret that Dusk would casually destroy those breathtaking works without a second thought. ...Looking on the bright side, maybe this is just the temperament of an artist? Occasionally, there are operators who receive preferential treatment from Dusk, though such instances are rare. She's much better than a certain idle fellow, isn't she?
Archive File 2
I heard Dusk is curious about various contemporary works. If you want to get on her good side, send her more books or photo collections, and you might get a chance to chat with her! However, how things develop after that will depend on your taste in what you choose. Dusk shares her favorite works with a few operators, including many very old movies from places like Ursus and Columbia. "Making friends" with Dusk is a rare occurrence, because her temperament really isn't that great compared to Nian's. Those few operators who have interacted with her say some bizarre things—like how Dusk's room is a small grove, or seeing Dusk sitting in a tiny pavilion, or opening the door to find a mountain peak where Dusk is sitting on a cliff with bare legs watching the clouds... Does Dusk really live on Rhodes Island? Maybe that door is just a passage? Seeing Dusk in the hallway is such a rare sight that it almost feels like a dream from another life, to say nothing of those strange rumors about her. After all, I've never been inside her room either... Is this what they call a "Xian" in legends? An immortal? Is that how they say it in Yan? So, stop inviting her to participate in any serious work. Many meddlesome operators have already gone missing for two or three days before returning to the office, and after that, they refuse to go near Dusk's place ever again. Oh, right, wait. Dusk isn't like that at all when she's at odds with Nian. The things she says when they argue are so venomous they make you shiver. "So they're sisters who don't get along? Sigh, why can't they learn from us sisters, right, Lava?" —Medic Operator Hibiscus
Archive File 3
Ah, that's not Arts. Stop bothering the theoretical Caster operators. Yeah, I know. Maybe the fact that Nian can pull out swords and shields with completely different properties out of nowhere is enough to frustrate the operators studying the theory of Originium Arts. So, as for Dusk, just let her be. Give her a break, and give yourself one too. Are you really going to choose this topic? Then I'll say a few words to see if I can talk you out of it. Get your head straight and think about it carefully. Both Lava and Saga said they had "strayed into Dusk's scrolls." Not only that, Saga also "traveled within Dusk's scrolls for ten years." These are the exact words of several operators. You can just understand it as them going into a painting to enjoy the scenery for a while. Then, in the short time Dusk has been at Rhode Island, incidents of operators experiencing strange hallucinations have been cropping up one after another—we've also investigated risks like food poisoning or projects spinning out of control, but after checking everything, all clues point to this shut-in unemployed person. Whether it's a city reaching into the clouds, a windless and waveless water surface, or a deserted snowy landscape—these hallucinations are all just the contents of Dusk's paintings. That's right, they're all "paintings." Is this simple optic nerve input? Or is it a type of Art applied at the cognitive level? We speculated as much, but after following Nian's suggestion to force Dusk out of her room with firecrackers followed by two hours of questioning, these hypotheses were all overturned by the facts. Dusk was quite cooperative. I think she's just afraid of trouble? Or maybe she's just not very fond of moving around. A common ailment among artists, I understand. Researcher, where do you think the boundary between hallucination and real perception lies? Look back. The one sitting behind you, that blue specimen. An autumn chrysanthemum. It was picked by a Human Resources operator from a sea of flowers she saw. Can this give us a slight glimpse into the essence of Miss Dusk's abnormal operations? Even just a little bit? Yes, that's right, Miss Dusk has also participated in missions. Surprising, isn't it? She actually went out. For those few missions where she "went out for inspiration," I accompanied her once. "Ink scattered into soldiers," "white bones and mourning," "blood flowing for a thousand miles"? There were only a few smugglers in front of us, and naturally, they surrendered on the spot. I touched it and smelled it; the viscosity and smell of the blood were just right—one could even say it couldn't be more real. But if you close your eyes—not closing them now. Closing them from the very beginning. None of these exist. Dusk and I tried it once. Yes, that's exactly it. You close your eyes, let her paint, and you won't be able to see or touch the things she paints. Even if you ask Dusk yourself, she'll give you the same answer. She's not actually holding anything back; she just lacks the theoretical ability to explain it. "As long as it wasn't seen, it didn't happen." Then how do those who see the painting and those who don't interact with each other? The sample size is too small; I can't answer that for you yet. Only data and experiments can speak. As for airborne crystal concentration, energy dissipation, and the like, we haven't observed any of it. In other words, this really isn't Originium Arts at all. That should be enough, right? Hmm? You still want to choose this topic? You're very interested in Dusk's paintings? Then I won't stop you. After all, while all interests may lead to frustration in the end, the process itself is quite worth enjoying. Doubt often, and verify often through practice. See you next time, researcher.
Archive File 4
"...Upon its demise, all others bowed their heads, thus ushering in an era of peace." What else do you want me to tell you? It's all there in black and white. We bowed our heads. No, I should say, how could anyone not bow their head? But bowing my head doesn't mean I have to go along with them, does it? Since I'm here, I might as well make the best of it. Since everyone has their own ambitions, we'll each go our own way. A lesser hermit hides in the city; a greater hermit hides in a painting. I like people; there's no need to oppose them. As for when the old thing wakes up, I naturally don't care much. Life and death are but impermanent, while heaven and earth are constant, and the intent of my brush is also constant. What do I have to worry about? There's not much we siblings can do anyway. Nian still hasn't given up, has she? It's only natural that she wouldn't want to leave after playing for so long. Getting hooked on spicy food, losing one's ambition to trivial pursuits. Hm? You think I'm the one who lacks ambition? ...Say what you will. Only regarding this, I don't care. Long days must end. Long dreams must fade. ...Argh, get out. I don't like this topic! If the world outside is no longer interesting, if I remain, and it remains, we're all just lingering on—what's the use? If someone could make it a bit more interesting... If such a thing really happens, ha, then come and call me when the time comes.
Promotion Record
“There is a beast of azure hue, shaped like overlapping peaks Numbered eleven, crowned by the moon and draped in mist Vague amidst the surging clouds, its colors appear as dusk settles Whiskers indigo like forests, bones craggy like stone It is said: stars hide amidst flecks of snow, the moon is concealed in the shifting light Men are pure or corrupt, colors are fine or poor The five weapons can hardly wound it, the five fires are hard to defend against Burn its flesh and blood, ink springs gushing forth, mist and smoke spent, two heads unbridled Yet the beast is hard to tame; only at dawn or dusk does it change, then suddenly vanishes. Its form is false, its substance is false. The brush touches, the scroll closes; as if drunk or infatuated, in one night, all is reduced to ashes.” The rubbing is complete, but the content is unsettling.


Story Collection "Ancient Forge" At the end of the story, she was written into Nian's script as the behind-the-scenes villain, delivering a bunch of chuunibyou, cringey lines filled with bad movie tropes, using the name "???". Nian's reason for doing this was that Dusk once forced ice cream into Nian's hotpot and secretly emptied all of Nian's chili sauce. SideStory "Who is Real" Once traveled withSagathe abbot (when he was young) through the landscapes of Yan. When the two parted, Dusk gave a painting to the (future) abbot. Once traveled to a village called "Poshan Town," rescued a girl named "Li" from the village, and taught her to paint, though Li never picked up a brush. After Li died of old age, Dusk painted "Li" into a scroll, letting her serve as a pawnshop clerk within her painting. Watched Lava, Kroos, and Mr. Nothing's journey through the painting in the guise of the storyteller "Mr. Umbrella-Boiler." Made a bet with Nian on "whether anyone could see through being inside a painting"; Saga's sudden appearance caused Nian to win the bet. Nian pointed out that Dusk is afraid that the revival of "Sui" will cause "Dusk" to disappear. Went to Rhodes Island under Kroos's promise of "being able to eat at least seventeen famous local restaurants." Side Story: Invitation to Wine Came to Shangshu to find her sister—the third among the Sui siblings,that, and was evaluated by Ling as "cowardly" in personality. Additionally, her paintings within the scrolls were critiqued by Ling as "clumsy mountains and withered waters, heart like dead ashes." (However, the Ink Spirits Dusk casually painted were praised by Ling.) She showed fear when facing the "Sui-regress" of the three siblings manifested by the Second Brother alongside Nian and Ling, and the situation was eventually resolved under Ling's lead. Once trapped the Duck Lord inside a painting, but the Duck Lord broke through Dusk's painting using his own extremely powerful arts. According to Ling's revelation, she was once troubled by her own "Sui-regress,"for a long time,（for hundreds of years,）not daring to fall asleep. Incidentally, in Nian's Operator Record, Dusk proactively kicked Nian out, citing "I want to sleep" as the reason. This indicates that Dusk gradually overcame her fear of the "Sui-regress" after the trip to Shangshu. SideStory "Here A People Sows" Came to Dahuang with Nian, collaborating with Nian, Shu, and the Yan Ministry of Works to construct the "Twelve Towers and Five Cities" project and a substitute for the Sui beast's true body. After Ji arrived at Dahuang, Dusk lent her painting scroll to Zuo Le, allowing him to use it to trap Ji inside. Collaborated with Nian in a major battle against Ji and Wang, but Dusk's painting scrolls were continuously turned into embroidery by Ji. After both sides stopped, Ji claimed that Dusk had painted a picture for each of the twelve agents and asked Dusk for his own. Although Dusk didn't know how he knew, she still handed it over. SideStory "Delicious in Terra" LaiosAfter the party of four accidentally entered Dusk's painting scroll, Dusk didn't notice until she saw the Ink Spirits in the scroll getting colorful and drunk after being fed fruit by Laios's group. Dusk entered the scroll, unceremoniously picked up the drunk Ink Spirits, and angrily threw Laios's group out of the scroll, sending them flying to Iberia, stating that the painting was ruined, and rejected Marcille's suggestion to taste the hawthorns stored by the Ink Spirits. Later, the group of four was met by the High Priest at Rhodes IslandintentionallyWhen the group of four was blasted into Dusk's painting by the High Priest, Dusk painted a well leading to Ceobe's room, letting the four fall all the way down the well into Ceobe's room. Integrated Strategies #6: "The Chronicles of Sui's Garden" Garden Interview #3: I See the Green Mountains PART01 After Dusk was born from the Sui Tomb, she hid in the Sui Tomb for a long time because she didn't know why she existed, until she couldn't stand the loneliness and walked out. At first, Dusk was frightened by the light outside the Sui Tomb because she had stayed in the dark for too long, but she saw colors in the light, so she held back her retreat, gradually adapted to the light, saw the sights of the human world outside the Sui Tomb, and fell in love with it all. Soon night fell and the colors faded. Dusk wanted to use Sui's power to store the scene before her but failed; she then wanted to use her power to change the transformation before her, but also changed the original colors of the scene. Dusk meditated for a long time and finally mastered the art of painting to preserve the feelings that the scenes she saw brought to her. PART02 Dusk, as a painter, met Mr. Lu, the most prestigious painter in Yan's art world at the time, at a gathering in Lushan. While the guests were praising Mr. Lu, Dusk lamented that Mr. Lu's paintings were becoming increasingly boring compared to his early years, so Mr. Lu wanted to compete with Dusk. Both sides painted three topics and were evenly matched. Dusk suggested that the final topic be to paint each other as they saw them. Mr. Lu only thought the "painter" before him wanted to become famous by defeating him, so he put all his effort into painting Dusk's portrait, which was ninety percent similar to Dusk herself, but with more luxurious clothes and jewelry. After Dusk finished painting Mr. Lu's portrait, she left. It was also ninety percent similar to Mr. Lu himself, but Dusk painted the dashing appearance of Mr. Lu when he first entered the art world and was not yet famous. After seeing the portrait, Mr. Lu realized his shortcomings, tore up the painting on the table, and left dejectedly. PART03 Dusk painted various subjects and experienced all walks of life in her paintings. Although she gained something, when she thought that after Sui woke up, she would eventually disappear like the people in her paintings, she felt that everything was meaningless and tore up her paintings. SideStory "Here A People Sows" When the confrontation between Wang and the Sui Beast reached its final stage, Dusk, Nian, and Shu driving the "Xuanji Colossus" built by Nian arrived outside the Sui Tomb to participate in the siege of the minions. After Wang successfully eliminated Sui, the other agents had a meal at Yuwei Restaurant, while Dusk painted a version of herself, which was taken to Yuwei Restaurant by Jie, who thought it was the real Dusk. When the agents realized something was wrong and entered Dusk's painting, Dusk, who was finally able to get a good night's sleep, fell into a deep sleep and used a talisman to shut Nian's mouth.

Voice Line List
Condition	Dialogue	Japanese Voice	Chinese Voiceover (Mandarin)	Chinese Voiceover (Dialect)
Appointed as Assistant	Hm? Didn't I say that if I don't answer after you knock, you're not allowed in? Your office? On duty? Well, wasn't I also leaving my room because I'm on duty? What do you mean "your office"? Get out, get out, get out, I'm still conceptualizing. Hm? Didn't I say that if I don't answer after you knock, you're not allowed in? Your office? On duty? Well, wasn't I also leaving my room because I'm on duty? What do you mean "your office"? Beat it, beat it, beat it, I'm still thinking. あら？言ったでしょう、ノックしても返事がなければ入ってこないでって。貴方のオフィス？仕事しに来た？私だって仕事だっていうから自分の部屋からわざわざここに来たんだけど？貴方のオフィスってどういうことよ、しっしっ、こっちは構想中なのよ。
Conversation 1	You want to see my paintings? Fine. If it's you, I could even give you one. But if you like the painting, I won't give it to you. You don't like it? Then there's even less reason to give it to you. That's just how I am, be grateful. You want to see my paintings? Fine. If it's you, I could even give you one. But if you like the painting, I won't give it to you. You don't like it? Then there's even less reason to give it to you. That's just how I am, give it a rest. 絵を見たいですって？いいわ、貴方になら一枚くらいあげても構わないけど。でもこの絵が好きっていうのならあげないわよ。嫌い？じゃあなおさらあげないわ。私はこういうやつだから、観念なさいな。
Talk 2	I'm trapped on this ship. If anyone asks, tell them that, and don't let them into this room. Occupying public space? Refusing to fulfill Operator duties? Hello, I am the great painter trapped in this room, Dusk. I'm trapped on this ship now. If anyone asks, tell them that, and don't let them into this room. Occupying public space? Refusing to fulfill Operator duties? Hello, I am the great painter trapped in this room, Dusk. この船に閉じ込められてしまったわ。誰かに聞かれたらこう言ってちょうだい。この部屋にも入らせないで。公共の場を占領しているって？オペレーターの義務を拒否しているって？ドーモ、ゴキゲンヨウ、この部屋に閉じ込められている巨匠のシーです。
Talk 3	I'm not going out. Stop asking me to go out, I don't want to. I don't care about the outside world anymore. Don't like it? Of course I like it. Mountains and rivers, wind and moon, flowers and feathers, forests and abysses, peddlers and porters, old and young, men and women—they can't be fully painted, nor fully seen, nor surpassed, nor escaped. I've lost interest. I'm not going out. Stop asking me to go out, I don't want to. I don't care about the outside world anymore. Don't like it? Of course I like it. Mountains and rivers, wind and moon, flowers and feathers, forests and abysses, peddlers and porters, old and young, men and women—they can't be fully painted, nor fully seen, nor surpassed, nor escaped. I'm at ease now. だから外は行かないってば。呼ばなくていいわよ、絶対外に行かない。外の世界はもうどうでもいいのよ。嫌いかって？好きに決まってるじゃない。花鳥風月、山川草木、梓匠輪輿、老若男女、描ききれないし見切れもしないわ。そして乗り越えられなくて、そこから抜け出せないのよ。私はもう十分味わったわ。
Talk after Promotion 1	I hate the word "taste." It shuts people out the moment they open their mouths. Who gave them the confidence to think only they deserve good things? That attitude is the most disgusting. As long as one enjoys themselves, that is true satisfaction. And if one wishes to progress, there must be no sectarian bias. Have you ever seen the twin moons in the sky be selfish? I hate the word "taste." It shuts people out the moment they open their mouths. Who gave them the confidence to think only they deserve good things? That attitude is the most disgusting. As long as one enjoys themselves, that is true satisfaction. And if one wishes to progress, there must be no sectarian bias. Have you ever seen the twin moons in the sky be selfish? 「品」って言葉は嫌いよ。端っから人を門外漢扱いで拒絶して。自分たちが一流のものに相応しいだなんてどこからそんな自信が湧いてくるのでしょうね。そういうのが一番気色悪いのよ。快く楽しめることができれば、もう十分極意を得たと言えるもの。精進したければ、身分への偏見なんて捨てるべきだわ。天に浮かぶ双月が手前勝手に振舞うところなんて、見たことないでしょう？
Talk after Promotion 2	The chance to see me paint seriously is something even the most exceptional people on this earth might get only once in a lifetime. "When the time comes, heaven and earth work together." Spirit, bone, form, color, and method—all follow, all arrive, pouring out like a mighty river, as intricate as the shadows of bamboo in the mountains. Even I cannot stop the brush in my hand. The chance to see me paint seriously is something even the most exceptional person on this earth might only get once in a lifetime. "When the time is right, heaven and earth join forces." Spirit, structure, form, color, technique—not one fails to follow, not one fails to arrive. It pours out like a mighty river, yet remains as intricate as the shadows of bamboo in the mountains. This brush in my hand... even I cannot stop it. 私が本気を出して絵を描くところを見られる機会って、この世界で一万人に一人もいない優れた者でも、一生に一度あるかないかよ。「時来たれば天地皆力を同じくす」、気・骨・形・色・法、従わぬものなければ至らぬものもなし。傾瀉すること浩蕩なる江河の如く、細密なること山間の竹影の如し。私自身でさえ、手にした絵筆を止められないほどのものよ。
Talk after Trust Increase 1	I've looked at some modern works lately. Movies aren't bad; they're quite like paintings. The good ones have their own distinct character—the form is there, and the intent isn't lacking either. Good, it seems poetry and painting have their successors. Could you do me a favor and burn that room full of trash Nian has? She's truly insulting the medium of film. Please. I've looked at some modern works lately. Movies aren't bad; they're quite like paintings. The good ones have their own distinct character—the form is there, and the intent isn't bad either. Good, it seems poetry and painting have their successors. Say, could you help me burn that room full of trash Nian has? She's truly desecrating film. Help me out here. 最近、私もイマドキの作品に目を通してみたの。映画は悪くないわ、絵と同じで、いいものはそれぞれの精神が宿る。形式も整っていて、含んだ趣意も悪くない。ええ、詩も絵も受け継がれていて大変結構だわ。ついでにニェンの部屋のあのゴミ溜まりを全部燃やしてくれるかしら？あいつのアレは映画への侮辱よ。頼んだわ。
Talk after Trust Increase 2	The food is here? Oh, thank you. Hmm... what country is this wine from? Not bad. It's quite good; the taste of something missing makes it feel more real. Curious about what I usually eat? You, come here, close your eyes. Ah... no sensation, right? Exactly. As long as you haven't seen it, the food in my paintings doesn't exist. The food's been delivered? Oh, thank you. Hmm... what country is this wine from? Not bad. It's quite good; the taste of something missing makes it feel more authentic. You want to know what I usually eat? You, come here, close your eyes. Ah... no sensation, right? That's right. As long as you haven't seen it, the food in my paintings doesn't exist. ごはんの準備ができた？あら、ありがとう。ふーん、どこの国のお酒かしら？悪くないわ。うん、どこか足りないような味が逆にいいのよ。私が普段何を食べてるのかって？貴方、ちょっとこっち来なさいな。目を閉じて。はい、あーん。なんにも感じないでしょ？そういうことよ。一度もその目で認識したことがなければ、私が描いた料理は存在しないも同然なの。
Talk after Trust Increase 3	Look at Nian and her "I don't care" attitude; you actually know, don't you? She cares about our lives more than anything. As for me—though I don't get along with that fellow who scribbles all over the negative space—the two of us truly don't care. When a person dies, the painting remains. When I die, the spirit of the brush remains. Look at Nian and her "I don't care" attitude; you actually know, don't you? She holds our lives very dear to her heart. As for me—though I don't get along with that person who scribbles all over the negative space—the two of us truly don't take it to heart. When a person dies, the painting remains. When I die, the spirit of the brush remains. ニェンはああやって気にしない体を取ってるけど、貴方もわかるでしょう？あいつ、私たちの生死をめちゃくちゃ気にかけてるのよ。私はあの余白に落書きするやつとは気が合わないけど、生死を気にしないのは割と意見が合うのよ。人が死んでも、絵は残る。私が死んでも、筆に乗せた意思は残り続けるもの。
Idle	Life is like a dream, and dreams enter the long scroll. When a person sleeps like this, how many millennia will pass by? Life is like a dream, and dreams enter the long scroll. When a person sleeps like this, how many millennia will they sleep through? 夢は人生の如くして、絵巻に描きつくるものなり。ひとたび眠れば、幾星霜過ぎ去ってしまうんでしょうね。
Operator Reporting	Ah?-^[1]? Another contract? Fine, fine. Once I've signed it, don't come bothering me again. Here... let's get this straight: I, Dusk, never give away my paintings to anyone. And I don't take commissions! Ah?-^[1]? Another contract? Fine, fine. Once I've signed it, don't you come bothering me again. Take it... let's get this straight: I, Dusk, never give away my paintings to anyone. And I don't take commissions! あら？ドクター？また契約書？はいはい、サインしてあげるからこれ以上私を煩わせないこと。これでいいでしょ……先に言っておくけど、このシーが描いた絵はあげられないわよ。誰にもあげないの。リクエストも受けないから！
Watch Combat Records	Hmm? Clashing blades and rivers of blood... don't tell me... you want me to paint these? Hmm? Clashing blades and rivers of blood... don't tell me... you want me to paint those things? ふーん？武器を手に取って殺し合い、血が河川のように流れる様、もしかして……こういうのを描いて欲しいの？
Elite Promotion 1	Why do I use a sword? There's a logic to it: "Use the inkstone as a scabbard to grind the passage of time; use the brush as a sword to paint the spirits and gods." Is it true? Of course, I just made it up. Why do I use a sword? There's a story behind that. "With an inkstone as a scabbard, one can grind through history; with a brush as a sword, one can paint gods and demons." Is it true? Of course, I just made it up. なんで私が剣を使うのかって？それはそれは奥深いものよ。曰く、「硯を以て鞘と為せば、以て春秋を研ぐべし。筆を以て剣と為せば、以て鬼神を訂すべし」なんてね。本当かどうかって？適当に言っただけに決まってるじゃない。
Elite Promotion 2	Hmph, to think you've made it this far with me... I'll paint a piece for you. Watch out! Don't get trapped inside; that other world is far more enchanting than this one. Throughout history, how many have truly been able to see through it, leave it, and forget it? Hmph, to think you've made it this far with me... I'll paint a piece for you. Watch out! Don't get trapped inside; that other world is far more enchanting than this one. Throughout history, how many have truly been able to see through it, leave it, and forget it? へぇ、よく私にここまでついてこれたわね……一枚描いてあげましょうか。飲み込まれないように注意しなさいね、あちら側の世界はこちら側よりよっぽど魅力的だもの。昔から今に至るまで、虚像に囚われずにそこから離れて全てを忘れ去ることができた人間って、何人いたかしら……
Assign to Team	Don't waste too much of my time. Don't waste too much of my time. あんまり時間を取らせないでちょうだい。
Appointed as Squad Leader	Captain? What's that for? Captain? What's that for? 隊長？なにそれ。
Departure	Then let's get this over with quickly. Then let's get this over with quickly. さっさと片付けるわよ。
Operation Start	I'm in a good mood today, so I'll gift you a painting: "Bones on the Battlefield". I'm in a good mood today, so I'll gift you a painting: "Bones on the Battlefield". 今日はなんだか気分がいいわ。『戦場白骨の図』でも描いてあげましょうか。
Selected Operator 1	Don't go too far. Don't go too far. いい加減にしなさいよ。
Operator Selected 2	Better leave the fine brushes for painting at home. 描き込むのは帰ってからね。
Deployment 1	Do any of you want to become my pigment? 私の顔料になりたいのはどいつかしら？
Deployment 2	This battlefield is suitable for the splashed-ink technique. この戦場を描くには、潑墨が似合うわね。
In Battle 1	Words are too hard to understand; I'll draw it out for you to see. Words are just too hard to understand; I'll draw it out for you to see. 言葉では伝わりにくいのよ。描いてあげる。
In Battle 2	As the brush descends, the sun sets; as it ascends, the peaks rise! 鋒落とせば長日墜ち、筆起こせば疊嶂起こる！
In Battle 3	Use the tangible to trace the infinite, and the intangible to face the world! 有形を以て無垠を摹し、無形を以て天下を応ず！
In Battle 4	I do have some feelings for you all. Most of the time. 貴方たちに対してだって多少の情はあるのよ。ほとんどの時はね。
Complete High-Difficulty Operation	Painting and warfare were originally far apart. But when the strength is there, war is also art. Painting and warfare were originally far apart. But when the strength is there, war is also art. 丹青と干戈、本来はかけ離れたもののはずなのに。意気が至れば、戦争も芸術になり得るのね。
3-Star Result	Not bad. Not bad. 悪くないわ。
Non-3-Star Result	Hmm... poorly drawn paintings should be torn up. It would be embarrassing for me. Hmm... poorly drawn paintings should be torn up. It would be embarrassing for me. はぁ……出来損ないの絵は破り捨てるべきだわ。恥をかくだけよ。
Operation Failed	The brush tip has frayed, hasn't it? Redraw it. The brush tip has frayed, hasn't it? Redraw it. 筆がぶれたわね？描き直しよ。
Assign to Facility	No need to help me with the room decorations. I'll prepare them myself. No need to help me prepare the room decoration. I'll prepare it myself. 部屋の飾り付けは結構よ、自分でやるから。
Poke	The ink is going to spill! The ink is going to spill! ちょ、墨がこぼれる！
Trust Tap	Hey, don't get paint all over yourself. Hey, don't get paint all over yourself. もう、体中顔料だらけになるのは勘弁してよね。
Title	TRIALS of MANA アークナイツ。
New Year's Greetings	New Year? A human life is already brief enough, like carefully dividing a small scroll, thinking about what to paint here and what to paint there, over and over again, the weary cycle of life and death. But so be it, a momentary feast of laughter and joy can also be considered a scenery. New Year? A human life is already brief enough, like carefully dividing a small scroll, thinking about what to paint here and what to paint there, over and over again, the weary cycle of life and death. But so be it, a momentary feast of laughter and joy can also be considered a scenery. 新年？人の一生はもとから十分短いでしょう。決められた大きさの料紙に対して、そのうえ細かく線を引いて、この部分にはこれを描いて、あちらにはそれを描くなんて始終考え続けては、生きるのに余計疲れてしまうだけよ。でもまあ、いいんじゃないかしら。束の間の賑やかな盛宴も、それなりの画だって言えるし。	File:Xi CN 038.mp3	File:Xi zh CN 038.mp3	File:Xi fy CN 038.mp3
Greeting	What was your name again? Oh,-^[1]？ What was your name again? Oh,-^[1]？貴方、名前はなんだったかしら。……ああ、-^[1]？
Birthday	Ah? Do people still celebrate birthdays? Don't think I came looking for you specifically just to say this; I just came out for some air and happened to run into you. Oh, and this, a failed painting, I've lost interest in it, so I'm giving it to you. What did I paint? Why don't you compare it against a mirror? Ah? Do people still celebrate birthdays? Don't think I came looking for you specifically just to say this; I just came out for some air and happened to run into you. Oh, and this, a failed painting, I've lost interest in it, so I'm giving it to you. What did I paint? Why don't you compare it against a mirror?	File:Xi CN 043.mp3	File:Xi zh CN 043.mp3	File:Xi fy CN 043.mp3
Anniversary Celebration	I told you, don't call me out if there's nothing important. Celebrate together? Celebrate me being trapped here for so long? Out, get out, honestly... By the way, those decorations on the wall are just things I doodled; I didn't paint them because Closure asked. Let me say it again, I don't take commissions. I've said it, don't call me out if there's no reason. Celebrate together? Celebrate me being trapped here for such a long time? Get out, get out, honestly... Oh, those decorations on the wall are just things I doodled; I didn't paint them because Closure asked. Let me say it again, I don't take commissions. 用がないなら呼ばないでって言ったでしょ。一緒に祝う？私がこんな長い時間ここに閉じ込められていることでも祝うの？もう出て行って、まったく……そうだ、会場の壁にある飾り絵は手すさびだから。別にクロージャに言われたから描いたものではないわ。何度も言うけど、絵の依頼は受けないから。	File:Xi CN 044.mp3	File:Xi zh CN 044.mp3	File:Xi fy CN 044.mp3

Parameters

Module

Recruitment Contract and Tokens

Archives

Character Lines

Character History

Story Collection "Ancient Forge"

SideStory "Who is Real"

Side Story: Invitation to Wine

SideStory "Here A People Sows"

SideStory "Delicious in Terra"

Integrated Strategies #6: "The Chronicles of Sui's Garden"

SideStory "Here A People Sows"

Character Information

Trivia

In-game Performance

Combat Performance

Base Performance

Personal Trivia

Notes and External Links